Once it must have been pretty, but now it is exquisite.
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James Elkins referring to a Song Dynasty tea bowl IN James Elkins (2002) Two Ways of Looking at Ceramics, p. 22
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James Elkins referring to a Song Dynasty tea bowl IN James Elkins (2002) Two Ways of Looking at Ceramics, p. 22
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James Elkin (2008) On the Absence of Judgement in Art Criticism
Jenny Odell - All the People in Dolores Park
Jenny Odell has painstakingly used Google Maps (her preferred medium) to isolate every individual present at the park that day. The word ‘tediousness’ is probably the word that I would use to describe the central theme of her practice. In her other words, the record of urban fragments playfully retrieved from Google Maps is reminiscent of the typological photographs of Bernd and Hilla Becher.
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Amy Goldin (1969) Deep Art and Shallow Art, New American Review #4 p. 102
I feel as though Goldin has had the last word on “what is art” in this blatantly simple statement. Now, let’s all move on.
Tadao Cern (2012) Blow Job
Tadao Cern’s humour undermines our expectation of the term, “blow job”, without entrenching the audience in tiresome aspirations to “deconstruct” social stereotypes of women.
—Amy Goldin (1969) Deep Art and Shallow Art, New American Review #4
Anton Kannemeyer (2011)
Anyone know what this piece is called?
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Alan Sokal & Jean Bricmont (1955) Fashionable nonsense: postmodern intellectuals’ abuse of science, New York- Picador, p. 198